Friday, September 27, 2013
Monday, November 26, 2012
Nand raaga
Ragmala
The first part of the chorus song (hindustani classical) is based on Nand raaga.
Other examples
Bengali: Jete dao amay dekona
Hindi: Tu jaha jaha chalega
Instrumental: http://www.youtube.com/watch?v=lsXm85Xfqmo
The first part of the chorus song (hindustani classical) is based on Nand raaga.
Other examples
Bengali: Jete dao amay dekona
Hindi: Tu jaha jaha chalega
Instrumental: http://www.youtube.com/watch?v=lsXm85Xfqmo
Sunday, October 16, 2011
Tatun Ekti Meyer Naam - a contemporary musical short story
link to the audio file
We performed this on 15th Oct. in Gainesville Durga Puja.
- Shibasish (in recitation),
- Sugata, Sayak and I (in vocal) ,
- Sayak (in guitar)
- Amol (in tabla)
It is also accompanied by the following slide show-
associated slide show (in pdf)
We performed this on 15th Oct. in Gainesville Durga Puja.
- Shibasish (in recitation),
- Sugata, Sayak and I (in vocal) ,
- Sayak (in guitar)
- Amol (in tabla)
It is also accompanied by the following slide show-
associated slide show (in pdf)
Monday, August 8, 2011
guitar harmony chart
guitar harmony - link
guitar harmony - link
pdf file: Harmony_Chart
Example: C scale: C-D-E-F-G-A-B-C
so harmony would be in the chords : C(M)-D(m)-E(m)-F(M)-G(M)-A(m)-B(o)-C(M)
1,4,5 = Major / 2,3,6 = minor / 7 = diminished
Instead of "diminished" one, go semitone down and play the major chord. (like B-b(M) instead of B(o))
Chords
Major (M)
root + Major Third(4th semitone after root) + perfect Fifth (7th semitone after root)
minor (m)
root + minor Third(3rd semitone after root) + perfect Fifth (7th semitone after root)
diminished (o)
root + minor Third(3rd semitone after root) + flattened Fifth (7th semitone after root)
(so it is basically minor with perfect fifth is replaced by flattened fifth)
note:
While technically out of key, in practice this is a common substitution for the diminished chord in a major key: go down a half-step from the diminished chord and play a major chord in its place. This is a ‘borrowed’ chord from the minor scale or Mixolydian mode starting on the same key note and is a very common substitution in rock and pop styles.
Major scale W-W-H-W-W-W-H
minor scale W-H-W-W-H-W-W
guitar harmony - link
pdf file: Harmony_Chart
Example: C scale: C-D-E-F-G-A-B-C
so harmony would be in the chords : C(M)-D(m)-E(m)-F(M)-G(M)-A(m)-B(o)-C(M)
1,4,5 = Major / 2,3,6 = minor / 7 = diminished
Instead of "diminished" one, go semitone down and play the major chord. (like B-b(M) instead of B(o))
Chords
Major (M)
root + Major Third(4th semitone after root) + perfect Fifth (7th semitone after root)
minor (m)
root + minor Third(3rd semitone after root) + perfect Fifth (7th semitone after root)
diminished (o)
root + minor Third(3rd semitone after root) + flattened Fifth (7th semitone after root)
(so it is basically minor with perfect fifth is replaced by flattened fifth)
note:
While technically out of key, in practice this is a common substitution for the diminished chord in a major key: go down a half-step from the diminished chord and play a major chord in its place. This is a ‘borrowed’ chord from the minor scale or Mixolydian mode starting on the same key note and is a very common substitution in rock and pop styles.
Major scale W-W-H-W-W-W-H
minor scale W-H-W-W-H-W-W
Friday, May 27, 2011
Few Tagore songs and their Raaga
This is what I have gathered so far ... Rabindrasangeets_Raaga
I want to make it a bigger one ... So if you have something to add to this list ... please comment :-)
Monday, March 28, 2011
Sunday, February 27, 2011
2 track recording in Audacity
Audacity is pretty powerful, I tried two track recording with voice and one instrument(vibes).
Thursday, February 17, 2011
Lalit(with Suddha 'Dha') and Puriya Dhanashri - Jasrangi
Lets do it:
C-C#-D-D#-E-F-F#-G-G#- A-A#-B - C- C# -D- D#- E- F (Lalit with Suddha 'Dha')
| | x x | x | | | x x | |
C-C#-D-D#-E- F- F#- G- G#- A- A#-B-C-C#-D-D#- (Puriya Dhanashri)
Lalit (with Suddha 'Dha') - 'Re' komol(C#); 'Ma' - Tivra+Suddha(F+F#); no 'Pa'(G)
PuriyaDhanashri: 'Pa' used - 'Re' komol; 'Dha' komol; 'Ma' Tivra
Similarly we can do for Abhogi and Kalavati.
nice :-)
C-C#-D-D#-E-F-F#-G-G#- A-A#-B - C- C# -D- D#- E- F (Lalit with Suddha 'Dha')
| | x x | x | | | x x | |
C-C#-D-D#-E- F- F#- G- G#- A- A#-B-C-C#-D-D#- (Puriya Dhanashri)
Lalit (with Suddha 'Dha') - 'Re' komol(C#); 'Ma' - Tivra+Suddha(F+F#); no 'Pa'(G)
PuriyaDhanashri: 'Pa' used - 'Re' komol; 'Dha' komol; 'Ma' Tivra
Similarly we can do for Abhogi and Kalavati.
nice :-)
Jasrangi
Jasrangi example
- same note - start from different tonics
- leads to two ragas
- diatonic scale
- typically 'sa' in female voice and 'ma' in male voice voice.(harmonic part)
-"JASRANGI" unique duet (male/female), conceived by Pandit Jasraj.
- raag abhogi (sa) and raag kalavati (ma)
- raag lalit (sa) and raag puriya dhaneshree (ma)
" Pandit Jasraj ...... His greatest contribution to Indian classical music is his conception of a unique and novel jugalbandi, styled on the ancient system of Moorchanas, between a male and a female vocalist, each singing in their respective scales and different ragas at the same time[citation needed].In his honor, this legendary jugalbandi is known as The Jasrangi. "
related links:
Graha_bedham
Shruti bedham
- same note - start from different tonics
- leads to two ragas
- diatonic scale
- typically 'sa' in female voice and 'ma' in male voice voice.(harmonic part)
-"JASRANGI" unique duet (male/female), conceived by Pandit Jasraj.
- raag abhogi (sa) and raag kalavati (ma)
- raag lalit (sa) and raag puriya dhaneshree (ma)
" Pandit Jasraj ...... His greatest contribution to Indian classical music is his conception of a unique and novel jugalbandi, styled on the ancient system of Moorchanas, between a male and a female vocalist, each singing in their respective scales and different ragas at the same time[citation needed].In his honor, this legendary jugalbandi is known as The Jasrangi. "
related links:
Graha_bedham
Shruti bedham
Monday, February 14, 2011
Sunday, February 6, 2011
Sunday, January 30, 2011
Friday, January 28, 2011
Chords for "Hoyto tomari jonnyo"
I prefer G major.....so here it is :-) [just one whole note up]
key G major
original :
chord (key F major)
key G major
original :
chord (key F major)
Saturday, January 22, 2011
Saturday, December 25, 2010
Tuesday, December 21, 2010
key of a song
key finding 15 min after
listen to the song carefully->hum it->play the ballpark note on piano->eliminate those notes which come in the minor chord that puts that ballpark note at the end of that minor chord->after eliminating the other 2 notes you will have the key of the song. (ballpark note might be 3rd or 5th note in the original key).This is "minor chord test"
listen to the song carefully->hum it->play the ballpark note on piano->eliminate those notes which come in the minor chord that puts that ballpark note at the end of that minor chord->after eliminating the other 2 notes you will have the key of the song. (ballpark note might be 3rd or 5th note in the original key).This is "minor chord test"
Monday, December 20, 2010
http://groups.google.com/group/subho_friends/web/pianochordchart.pdf
http://groups.google.com/group/subho_friends/web/UkeChart.pdf
http://groups.google.com/group/subho_friends/web/harpbook.pdf
http://groups.google.com/group/subho_friends/web/harmonica.pdf
http://groups.google.com/group/subho_friends/web/15-Guitar_Tabs_dup.pdf
http://groups.google.com/group/subho_friends/web/UkeChart.pdf
http://groups.google.com/group/subho_friends/web/harpbook.pdf
http://groups.google.com/group/subho_friends/web/harmonica.pdf
http://groups.google.com/group/subho_friends/web/15-Guitar_Tabs_dup.pdf
Saturday, December 11, 2010
Wednesday, December 8, 2010
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