Saturday, October 26, 2013
Friday, September 27, 2013
Monday, November 26, 2012
Nand raaga
Ragmala
The first part of the chorus song (hindustani classical) is based on Nand raaga.
Other examples
Bengali: Jete dao amay dekona
Hindi: Tu jaha jaha chalega
Instrumental: http://www.youtube.com/watch?v=lsXm85Xfqmo
The first part of the chorus song (hindustani classical) is based on Nand raaga.
Other examples
Bengali: Jete dao amay dekona
Hindi: Tu jaha jaha chalega
Instrumental: http://www.youtube.com/watch?v=lsXm85Xfqmo
Sunday, October 16, 2011
Tatun Ekti Meyer Naam - a contemporary musical short story
link to the audio file
We performed this on 15th Oct. in Gainesville Durga Puja.
- Shibasish (in recitation),
- Sugata, Sayak and I (in vocal) ,
- Sayak (in guitar)
- Amol (in tabla)
It is also accompanied by the following slide show-
associated slide show (in pdf)
We performed this on 15th Oct. in Gainesville Durga Puja.
- Shibasish (in recitation),
- Sugata, Sayak and I (in vocal) ,
- Sayak (in guitar)
- Amol (in tabla)
It is also accompanied by the following slide show-
associated slide show (in pdf)
Monday, August 8, 2011
guitar harmony chart
guitar harmony - link
guitar harmony - link
pdf file: Harmony_Chart
Example: C scale: C-D-E-F-G-A-B-C
so harmony would be in the chords : C(M)-D(m)-E(m)-F(M)-G(M)-A(m)-B(o)-C(M)
1,4,5 = Major / 2,3,6 = minor / 7 = diminished
Instead of "diminished" one, go semitone down and play the major chord. (like B-b(M) instead of B(o))
Chords
Major (M)
root + Major Third(4th semitone after root) + perfect Fifth (7th semitone after root)
minor (m)
root + minor Third(3rd semitone after root) + perfect Fifth (7th semitone after root)
diminished (o)
root + minor Third(3rd semitone after root) + flattened Fifth (7th semitone after root)
(so it is basically minor with perfect fifth is replaced by flattened fifth)
note:
While technically out of key, in practice this is a common substitution for the diminished chord in a major key: go down a half-step from the diminished chord and play a major chord in its place. This is a ‘borrowed’ chord from the minor scale or Mixolydian mode starting on the same key note and is a very common substitution in rock and pop styles.
Major scale W-W-H-W-W-W-H
minor scale W-H-W-W-H-W-W
guitar harmony - link
pdf file: Harmony_Chart
Example: C scale: C-D-E-F-G-A-B-C
so harmony would be in the chords : C(M)-D(m)-E(m)-F(M)-G(M)-A(m)-B(o)-C(M)
1,4,5 = Major / 2,3,6 = minor / 7 = diminished
Instead of "diminished" one, go semitone down and play the major chord. (like B-b(M) instead of B(o))
Chords
Major (M)
root + Major Third(4th semitone after root) + perfect Fifth (7th semitone after root)
minor (m)
root + minor Third(3rd semitone after root) + perfect Fifth (7th semitone after root)
diminished (o)
root + minor Third(3rd semitone after root) + flattened Fifth (7th semitone after root)
(so it is basically minor with perfect fifth is replaced by flattened fifth)
note:
While technically out of key, in practice this is a common substitution for the diminished chord in a major key: go down a half-step from the diminished chord and play a major chord in its place. This is a ‘borrowed’ chord from the minor scale or Mixolydian mode starting on the same key note and is a very common substitution in rock and pop styles.
Major scale W-W-H-W-W-W-H
minor scale W-H-W-W-H-W-W
Friday, May 27, 2011
Few Tagore songs and their Raaga
This is what I have gathered so far ... Rabindrasangeets_Raaga
I want to make it a bigger one ... So if you have something to add to this list ... please comment :-)
Monday, March 28, 2011
Sunday, February 27, 2011
2 track recording in Audacity
Audacity is pretty powerful, I tried two track recording with voice and one instrument(vibes).
Thursday, February 17, 2011
Lalit(with Suddha 'Dha') and Puriya Dhanashri - Jasrangi
Lets do it:
C-C#-D-D#-E-F-F#-G-G#- A-A#-B - C- C# -D- D#- E- F (Lalit with Suddha 'Dha')
| | x x | x | | | x x | |
C-C#-D-D#-E- F- F#- G- G#- A- A#-B-C-C#-D-D#- (Puriya Dhanashri)
Lalit (with Suddha 'Dha') - 'Re' komol(C#); 'Ma' - Tivra+Suddha(F+F#); no 'Pa'(G)
PuriyaDhanashri: 'Pa' used - 'Re' komol; 'Dha' komol; 'Ma' Tivra
Similarly we can do for Abhogi and Kalavati.
nice :-)
C-C#-D-D#-E-F-F#-G-G#- A-A#-B - C- C# -D- D#- E- F (Lalit with Suddha 'Dha')
| | x x | x | | | x x | |
C-C#-D-D#-E- F- F#- G- G#- A- A#-B-C-C#-D-D#- (Puriya Dhanashri)
Lalit (with Suddha 'Dha') - 'Re' komol(C#); 'Ma' - Tivra+Suddha(F+F#); no 'Pa'(G)
PuriyaDhanashri: 'Pa' used - 'Re' komol; 'Dha' komol; 'Ma' Tivra
Similarly we can do for Abhogi and Kalavati.
nice :-)
Jasrangi
Jasrangi example
- same note - start from different tonics
- leads to two ragas
- diatonic scale
- typically 'sa' in female voice and 'ma' in male voice voice.(harmonic part)
-"JASRANGI" unique duet (male/female), conceived by Pandit Jasraj.
- raag abhogi (sa) and raag kalavati (ma)
- raag lalit (sa) and raag puriya dhaneshree (ma)
" Pandit Jasraj ...... His greatest contribution to Indian classical music is his conception of a unique and novel jugalbandi, styled on the ancient system of Moorchanas, between a male and a female vocalist, each singing in their respective scales and different ragas at the same time[citation needed].In his honor, this legendary jugalbandi is known as The Jasrangi. "
related links:
Graha_bedham
Shruti bedham
- same note - start from different tonics
- leads to two ragas
- diatonic scale
- typically 'sa' in female voice and 'ma' in male voice voice.(harmonic part)
-"JASRANGI" unique duet (male/female), conceived by Pandit Jasraj.
- raag abhogi (sa) and raag kalavati (ma)
- raag lalit (sa) and raag puriya dhaneshree (ma)
" Pandit Jasraj ...... His greatest contribution to Indian classical music is his conception of a unique and novel jugalbandi, styled on the ancient system of Moorchanas, between a male and a female vocalist, each singing in their respective scales and different ragas at the same time[citation needed].In his honor, this legendary jugalbandi is known as The Jasrangi. "
related links:
Graha_bedham
Shruti bedham
Monday, February 14, 2011
Sunday, February 6, 2011
Sunday, January 30, 2011
Friday, January 28, 2011
Chords for "Hoyto tomari jonnyo"
I prefer G major.....so here it is :-) [just one whole note up]
key G major
original :
chord (key F major)
key G major
original :
chord (key F major)
Saturday, January 22, 2011
Saturday, December 25, 2010
Tuesday, December 21, 2010
key of a song
key finding 15 min after
listen to the song carefully->hum it->play the ballpark note on piano->eliminate those notes which come in the minor chord that puts that ballpark note at the end of that minor chord->after eliminating the other 2 notes you will have the key of the song. (ballpark note might be 3rd or 5th note in the original key).This is "minor chord test"
listen to the song carefully->hum it->play the ballpark note on piano->eliminate those notes which come in the minor chord that puts that ballpark note at the end of that minor chord->after eliminating the other 2 notes you will have the key of the song. (ballpark note might be 3rd or 5th note in the original key).This is "minor chord test"
Monday, December 20, 2010
http://groups.google.com/group/subho_friends/web/pianochordchart.pdf
http://groups.google.com/group/subho_friends/web/UkeChart.pdf
http://groups.google.com/group/subho_friends/web/harpbook.pdf
http://groups.google.com/group/subho_friends/web/harmonica.pdf
http://groups.google.com/group/subho_friends/web/15-Guitar_Tabs_dup.pdf
http://groups.google.com/group/subho_friends/web/UkeChart.pdf
http://groups.google.com/group/subho_friends/web/harpbook.pdf
http://groups.google.com/group/subho_friends/web/harmonica.pdf
http://groups.google.com/group/subho_friends/web/15-Guitar_Tabs_dup.pdf
Saturday, December 11, 2010
Wednesday, December 8, 2010
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